“It’s an absolute killer of an album (if you forgive my self-flattery), with an immense production courtesy of Scott Atkins and Grindstone studios once again, and I’d like to be able to describe it to you but there is so much bubbling intently in this album,” he continued. “Fast and slow parts (and faster still), new delectable flavours and those reminiscent of earlier COF albums galore, massive choruses and melancholic drop-downs, old skool melodic NWOBM amid furious, scathing black metal amid apocalyptic groove and we as a band can’t wait for everyone to hear it…. And more importantly, experience our birthed monster live.”
This past October, Dani told Metal Injection that CRADLE OF FILTH‘s follow-up to 2017’s “Cryptoriana – The Seductiveness of Decay” is turning out to be “fantastic” and “probably the best album we’ve written. We’ve had the opportunity to really dig deep into it and work hard on the tracks, and, if necessary, rewrite parts, which we have done,” he said. “I certainly have rewritten parts and have no qualms about Scott saying this just isn’t good enough compared to all the other songs on the record. But I would say it’s not very different from ‘Cryptoriana’. It’s not as intricately laced. That album spoke of the times it was trying to assimilate and represent. This album is about existential terror. The threat of everything. The end of the world, the end of one’s life, existential dread. A little hope, I guess in there. It’s a CRADLE OF FILTH record. The songs are strong. They’re extreme, but it’s a mixture of everything.”
Regarding what is has been like working with Atkins again, Dani said: “It’s very comfortable recording with him. You know, he’s very free and easy with how he talks to me. There’s no pandering; we’re good friends and we can talk to each other how we want. His studio is not far from where I live. It’s in the countryside, so during lockdown, I was able to travel to and from the studio. We had less hours to work. We had nothing more that we could do. There was no pubs that we could saddle off to over lunch time — it was just work, work, work. And it was nice, relaxed and, fortunately, lockdown in England’s been okay, because we’ve had some fantastic weather this year.”
This past February, CRADLE OF FILTH announced the departure of its keyboardist of the past seven years, Lindsay Schoolcraft. A replacement keyboardist has not yet been announced.