Asked if it was “strange” not having his brother my his side, Angus said: “Yes, probably for my own feeling. Because even when we were very young as teenagers, my older brother used to take us into the studio to show us how everything worked in the recording studio. And he also used us — when he felt we were competent enough on our instruments, like the guitars — he would say, ‘Okay, come in tonight and play on a song I’m gonna put down.’ So he would use the two of us then. So Malcolm and me, from a very early age, we were so used to being in studios working together. And yeah, I miss him when he’s not there in a physical sense. But I feel him when I’ve got the guitar playing. I can feel him around me.”
Asked if feeling Malcolm‘s presence gives him extra confidence and inspiration, Angus said: “Yes, because he was very confident in just the way he even played guitar. He was that way from the beginning. I thought his playing was always so very solid whenever he picked up a guitar. He always seemed to know exactly what was coming next, and it always came across so clear and precise, the way he played. And besides that, he was also very practical in how he would do things. He knew exactly, when the band was formed, how he wanted it to sound, and the style of the music which we would play. So it was all his direction. And it was that direction we followed all the way through our career.”
In December 2014, Malcolm revealed he had dementia which forced him to retire from AC/DC. His nephew Stevie Young stepped into Malcolm‘s position.
Angus later said that he realized during the recording of the band’s 2008 album “Black Ice” that his brother’s faculties were impaired.
Malcolm died in November 2017 after failing health for several years.
Hundreds of mourners gathered for his funeral in Sydney, Australia, including Angus and other members of the Young family, along with Johnson, AC/DC drummer Phil Rudd and bassist Cliff Williams.
Malcolm was remembered as a “humble man” and “musical mastermind,” with friend David Albert saying in his eulogy that Malcolm‘s impact on the music industry was nothing short of momentous. Young’s beloved Gretsch guitar, “The Beast,” rested on his coffin during the service.
“Power Up” was recorded over a six-week period in August and September 2018 at Warehouse Studios in Vancouver with producer Brendan O’Brien, who also worked 2008’s “Black Ice” and 2014’s “Rock Or Bust”.
“Power Up” hit the No. 1 spot in 18 countries, including in the U.S., where it sold over 117,000 copies in the first week. It is the fastest-selling album of 2020 in at least three of its biggest markets — U.S., Australia and the U.K.